I Painted Him on the Glider at Spider House

He was sitting on the glider, by the bathtub fountain at Spider House

He was sitting on the glider, by the bathtub fountain at Spider House

I Painted Maggie at the Spider House

Maggie was needlepointing on the patio, and chatting on the phone

Maggie was needlepointing on the patio, and chatting on the phone

I was there relatively early at the Spider House. Maggie showed up on the patio. She had on a flesh-colored sundress. She had brought along her needlepoint – how wonderful! That kept her quite still, but then her phone rang. I captured her anyway, thank goodness. She left at one point for the bathroom, and walked behind me. She saw that I had painted her, and came over and introduced herself. She’s an art major, herself! I hope to run into Maggie again since she is nice and fun to paint.

Pastel Portraiture

Summer is the best time for children’s portraits. I am doing 12″x16″ pastel vignette portraits at a special rate. This is a detail from a portrait of David:

_davidcrop

For more samples and information, visit my Portraits page.

She Was Reading Vonnegut at Epoch

She was reading SlaughterHouse Five at Epoch when I painted her.

She was reading SlaughterHouse Five at Epoch when I painted her.

I Painted Her at Epoch Coffee

I loved her purse, but didn't want it to upstage her.

I loved her purse, but didn't want it to upstage her.

I Painted the Reading Frat at Epoch

I loved his carnival orange Izod.

I loved his carnival orange Izod.

He was at Epoch – on a solitary mission.  He really was reading (so many aren’t). I just had to paint him; that carnival orange peanut polo shirt was the perfect color compliment for the rust,earth, and grunge of Epoch. Such a contrast!  It is painted quickly, and I don’t go back in when I get back to the studio. There are imperfections, yes – but I’m on to the next one…

I Painted Geneva in the Bruising Sun

Detail of a portrait of Geneva

Detail of a portrait of Geneva

Why lie? In Texas we don’t have that nice, ambient light of the north.  We have heat and intense sun that makes us squint, burns out the features on one side of our face, and cast the other side in shadow.  It’s a biforcated life, for sure.  We love the sun and the heat, and we hate it, too.  It ’s affect is obvious on our faces, splitting them right down the middle.

Final Painting for the Upcoming Show: Waiting Forever

Detail of the painting, "Waiting Forever"

Detail of the painting, "Waiting Forever"

Sometimes, we’ve been spurned. Or, we’re stuck in an existential funk as in Bunuel’s film “No Exit”.  Why do we feel that we have to stay for the ending?

My show of studio work is coming up on April 4thI will also be showing a few of the coffee house paintings. If you are interested in coming to the show (Katie Pipkin will be there, too!), click on my rep’s link here:

sherryjones


The Difference Between Painting and Drawing

At Epoch looking for a job in the Austin Chronicle classifieds

At Epoch looking for a job in the Austin Chronicle classifieds

People ask me if I sketch in with pencil or charcoal before I begin.   No, I don’t.  So much of painting requires restatement in the process, why start out fumbling from the beginning?  I try to say what I mean from the very beginning. Think about the process of painting as opposed to drawing.  Rendering usually requires long, fluid lines of strokes, and many times, follows the contours of form.  Painting requires the artist to think in a more three-dimensional way.  Painting is more akin to sculpture than to drawing. As you follow the planes of the face in a portrait, you  will usually be applying the paint in short, more angular passages.  Since painting and rendering is so different in how the hand and brain relate to the page, I think that a better approach is to start out with paint.  I hope that is making sense!

Now, there is a way of drawing-for-painting that is absolutely necessary for the rendering artist to learn if they are going to paint.  I will try and discuss that at a later time, but only if you want to read about that.

Like so many other painters, I usually start out with a big brush, and work my way down to a smaller one.  I prefer to start out with a hake brush, because it will provide a nice massing-in and keeps me from obsessing over details.  The softness of the brush allows me to work very quickly.

I don’t think that I could work well if I were to start out with pencil or charcoal to begin with.  Please keep in mind that my ways of working are a preference, and even I don’t follow the same system every time that I approach a new canvas.

Comments on this post would be appreciated.  I would like to know what would be of interest to you!  I will be talking about painting by bicycle, and what equipment I have, soon.~Lavanna

A Second Smattering on Painting Technique

The Young Playwright waiting for the actor at Epoch

The Young Playwright waiting for the actor at Epoch

The Beginning

I was painting at Halcyon Coffee here in Austin on Monday.  The barristra was very interested, and asked me if I did an underpainting.  This made me stop and think about the actual process of the oil sketch.  I said, “well, no, not really”. I fumbled around for an explanation since I am not used to analyzing my process.  Then, the words came.  “I have to work very quickly because I don’t know how long people will stay.  I usually mass in the figure(s) quickly and build around them since I know that the interior and the furniture aren’t going to move.”

Here you have a fundamental difference between the approach on the canvas when doing the oil sketch and an oil painting.  If I were doing an oil painting, I would “block in” the subject(s). This means that I would put crude markers to designate the space they occupy. Then, I would “mass-in”. This means that I would commit the objects to a division between light and dark.  From this, I would go from the “Whole” – seeing the entire painting field, to “Parts of the Whole” -seeing individual objects.

When I do the oil sketch, I am basically jumping to the “Parts of the Whole” procedure.

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Please leave a comment or a crumb if you would like to see more posts on technique.~Lavanna Martin